{"id":3253,"date":"2012-04-13T21:14:05","date_gmt":"2012-04-13T18:14:05","guid":{"rendered":"http:\/\/icahd.fi\/?p=3253"},"modified":"2024-03-13T16:55:04","modified_gmt":"2024-03-13T14:55:04","slug":"why-a-cultural-boycott-of-israel-is-justified-new-statesman-11-april-2012","status":"publish","type":"post","link":"https:\/\/www.icahd.fi\/en\/why-a-cultural-boycott-of-israel-is-justified-new-statesman-11-april-2012\/","title":{"rendered":"Why a cultural boycott of Israel is justified (New Statesman, 11 April 2012)"},"content":{"rendered":"

\u201cWe certainly see ourselves as ambassadors of Israel in the world, cultural ambassadors, hasbara ambassadors<\/a>, also in regards to the political conflict\u201d<\/em><\/p>\n

By Ben White<\/a><\/p>\n

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Israeli forces fire tear gas towards Palestinian stonethrowers during a demonstration against the expropriation of Palestinian land by Israel. Photograph: Getty Images.<\/div>\n<\/div>\n
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The Habima boycott call is a response to an appeal for support from a people dispossessed and occupied for decades.<\/em><\/strong><\/p>\n

A fortnight ago, dozens of actors, playwrights and directors called<\/a> on The Globe to cancel a planned performance by Israel\u2019s national theatre company Habima, to avoid complicity with \u201chuman rights violations and the illegal colonisation of occupied land\u201d.<\/p>\n<\/div>\n<\/div>\n

Along with Emma Thompson, Mike Leigh and Caryl Churchill, opposition to the invitation includes Mark Rylance<\/a>, founding artistic director of The Globe. The letter follows on from an earlier call<\/a> by \u2018Boycott From Within\u2019, a group of Israelis who support the Palestinians\u2019 Boycott Divestment Sanctions (BDS) campaign.<\/p>\n

Since then, the letter\u2019s critics have responded in an over the top fashion, successfully missed the point. Howard Jacobson<\/a> reached for absurd clich\u00e9s (\u201cKafkaesque\u201d, \u201cMcCarthyism\u201d) while Simon Callow and Louise Mensch signed<\/a> a letter describing the boycott call an example of \u201cthe continued persecution of Jews\u201d.<\/p>\n

\u201cTheatre ban \u2018like Nazi book burning\u2019 say West End stars\u201d ran a headline<\/a> in The Jewish Chronicle<\/em>, whose editor Stephen Pollard compared<\/a> pro-Palestinian protesters at the Proms to \u201cNazi party members\u201d in \u201cWeimar Germany\u201d (as did Labour MP Denis MacShane<\/a> who recently linked<\/a> the murders in Toulouse to Palestine solidarity motions in UK trade unions).<\/p>\n

This shameless blustering ignores the specific reasons for the Habima boycott call, namely that the company performs in illegal West Bank settlements \u2013 colonies that form a key part of Israel\u2019s apartheid regime \u2013 and indeed promised Israel\u2019s Minister of Culture that it would \u201cdeal with any problems hindering such performances\u201d.<\/p>\n

The wider context is the decision by Palestinians to call for BDS<\/a> as part of their efforts to secure basic rights and freedoms. That call, endorsed by trade unions, faith groups, political factions, and civil society organisations, includes cultural boycott<\/a>. Groups like the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI<\/a>) play a critical role in mobilising support<\/a> for the Palestinian struggle.<\/p>\n

Culture does not operate in some special, apolitical space \u2013 just like academic institutions<\/a> in Israel are also not removed from complicity in systematic human rights abuses. As the Habima general manager put it<\/a>, the invitation by The Globe is an \u201chonourable accomplishment for the State of Israel in general\u201d.<\/p>\n

Furthermore, the Israeli government and advocacy groups are deliberately seeking to use culture<\/a> as a means of \u2018rebranding\u2019 a country increasingly linked in the pubic imagination to its crimes against the Palestinians.<\/p>\n

In 2008, Israel\u2019s Foreign Ministry hired<\/a> a British firm to \u201ccraft\u201d a \u201cnew image\u201d for the country based on \u201cIsrael’s scientific and cultural achievements\u201d. After the Gaza massacre in 2009, Israel announced more money for \u2018cultural diplomacy\u2019, with an official declaring a plan<\/a> to \u201csend well-known novelists and writers overseas, theater companies, exhibits\u201d to \u201cshow Israel\u2019s prettier face\u201d.<\/p>\n

No surprise then that Israeli artists like Idan Raichel admit how: \u201cWe certainly see ourselves as ambassadors of Israel in the world, cultural ambassadors, hasbara ambassadors<\/a>, also in regards to the political conflict\u201d. Or that a touring Israeli chef is open about the government\u2019s intention to use \u201cartists, singers, painters, filmmakers\u201d to improve Israel\u2019s image \u201cthrough culture<\/a>\u201d.<\/p>\n

Aside from outright denial of Israel\u2019s violations of international law and systematic racial discrimination, a common objection to cultural boycott (or BDS in general) is some version of \u2018Why Israel\u2019s musicians and not China\u2019s?\u2019<\/p>\n

But this misses the point. Boycott is a strategy, not a principle. And as such, it\u2019s a response to a call from Palestinian civil society, which is seeking to mobilise international civil society as a way of realising their basic rights. It is a familiar tactic, used to resist local and global injustices. Are Palestinians prohibited from resisting colonial occupation \u2013 and looking for allies as they do so?<\/p>\n

In summary, the Habima boycott call \u2013 a microcosm of the BDS campaign \u2013 is a case of institutional complicity in clear human rights abuses, and a response to an appeal for support from a people dispossessed and occupied for decades. That\u2019s it. No wonder the simplicity of it has Israel\u2019s apologists reaching for the most well-worn smear of all.<\/p>\n

Ben White is an activist and writer. His latest book is Palestinians in Israel: Segregation, Discrimination and Democracy<\/a>.<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

\u201cWe certainly see ourselves as ambassadors of Israel in the world, cultural ambassadors, hasbara ambassadors, also in regards to the political conflict\u201d By Ben White Israeli forces fire tear gas towards Palestinian stonethrowers during a demonstration against the expropriation of Palestinian land by Israel. Photograph: Getty Images.<\/p>","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"zakra_page_container_layout":"customizer","zakra_page_sidebar_layout":"customizer","zakra_remove_content_margin":false,"zakra_sidebar":"customizer","zakra_transparent_header":"customizer","zakra_logo":0,"zakra_main_header_style":"default","zakra_menu_item_color":"","zakra_menu_item_hover_color":"","zakra_menu_item_active_color":"","zakra_menu_active_style":"","zakra_page_header":true,"footnotes":""},"categories":[29],"tags":[],"class_list":["post-3253","post","type-post","status-publish","format-standard","hentry","category-uutiset"],"yoast_head":"\nWhy a cultural boycott of Israel is justified (New Statesman, 11 April 2012) - ICAHD Finland<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.icahd.fi\/en\/why-a-cultural-boycott-of-israel-is-justified-new-statesman-11-april-2012\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why a cultural boycott of Israel is justified (New Statesman, 11 April 2012) - ICAHD Finland\" \/>\n<meta property=\"og:description\" content=\"\u201cWe certainly see ourselves as ambassadors of Israel in the world, cultural ambassadors, hasbara ambassadors, also in regards to the political conflict\u201d By Ben White Israeli forces fire tear gas towards Palestinian stonethrowers during a demonstration against the expropriation of Palestinian land by Israel. 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